Article in Artforum 03/2008
A Dutch artist whose work is rooted in Neo-Plasticism might be suspected of seeking facile identification with an artistic commonplace, a sort of visiting card for a foreign audience. Van de Mheen doesn’t fall into that trap. Her works convey the emotion that lies at their core, in pieces that play with the relationship between theory and feeling.
Written by Pablo Llorca, translation by Jane Brodie, © Artforum International
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