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Artist’s Statement
The private space of a drawing
Drawings on, and without, paper.
In my work I explore both the possibilities and the limitations of drawing. I research the relationship between physical space and its translation onto a flat surface – the subtle frontier that separates illusion from reality.
All my work is strongly linked to …
Curriculum Vitae
Latest Solo Exhibitions
| 2009 | Sketch Matinee, Atelier Friederieke Mainka, Düsseldorf |
| 2008 | Drawing-Room II, Gallery Kester+Bles, London |
| Light light (4200K-5600K), En Casa. Interventions, La Casa Encendida, Madrid* |
Latest Group Shows
| 2009 | Transit, in between leaving and arriving, Retort, Amsterdam |
| Summer show 2009, Gallery Kester+Bles, London | |
| Experiencias 3, Museo de Bellas Artes de Santander (MBAS) |
Reviews
Latest: Article in Artforum 03/2008
A Dutch artist whose work is rooted in Neo-Plasticism might be suspected of seeking facile identification with an artistic commonplace, a sort of visiting card for a foreign audience. Van de Mheen doesn’t fall into that trap. Her works convey the emotion that lies at their core, in pieces that play with the relationship between theory and feeling.
Written by Pablo Llorca, translation by Jane Brodie, © Artforum International
Download the article: Article from Artforum (artforum-march-08_irene-van-de-mheen.jpg)
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